The Archives

Focus on Rivendell Temple’s new Stained Glass Windows.

Nosce te Ipsum

On the cover of our latest video The Rites Of Magick, you will see a photo of our temple's stained glass window. The five foot by three foot depiction of the Order’s Septagram Symbol was designed by me and rendered in stain glass by local artist Alice Phillips of Silverado Glass; the same collaboration of talents that produced the earlier round "Goddess Tanit" window.

Along with this inspiring acquisition, we were fortunate to obtain the older, and larger, stained glass window from Hollywood’s legendary Sorcerer’s Shop. This marvelous antique work of art was transported to us from Beverly Hills, and installed in the north wall of the adytum--as shown in the accompanying photos. The window measures an awesome five feet by four feet, and illuminates our Seasonal Grail  and Eucharist implements.

 

These stained glass windows contribute to our Temple’s spiritual atmosphere, and will be especially appreciated by those anchorites confined to the sacred precincts during their three day Holy Guardian Angles retreats in preparation for Inner Order initiation.

Our thanks to Alice Phillips and to Lady Babbetta for helping to enrich and beautify our Magical ashram.

Thabion
Archimage, Ordo Templi Astartes


Focus on Pathworkings

The O.T.A.'s Pathworking System is a unique synthesis of Eastern method and Western symbolism. In 1971 Frater Apolonius (then Fra. Nimrod) introduced us to the method of Inner Plane projection taught by the Sikh Sant master Kerpol Singh. Kerpol was the original "secret master'" of Paul Twitchell who founded Eckankar. The basic principle behind Kerpol's guided astral journeys were the several "attention points" that the narrator, or guide, would describe for his students. At each of these stations a very personal and individual symbolic, or oracular, message was received and committed to memory. This made the mystic journeys truly worthwhile, instructive -- and even initiatory --rites of passage. Once in possession of this key concept, it was not difficult for me to apply the method to the kabbalistic structure of the Tree of Life and its twenty-two Paths leading to ten Sephiroth. My main reference in this task was Gareth Knight's classic Practical Guide to Qabalistic Symbolism.

We had our basic lower triad working by the Summer of 1973, and I was using a measure of the inspiration derived to write the mystic adventure novel Adamson's Quest - which is still running as a serial in The Seventh Ray.

By 1980 we had made a breakthrough in Pathworking conceptions with the design and construction of a vehicle for accessing the Sephiroth above Tiphareth. Explorations in this mode led to our eventual penetration of the Da'ath Gate, and our radical new Path and Tarot contribution (see The Seventh Ray, Book II, the "Red Ray" ).

We have gone on with our inner plane explorations to perfect a deep space method of astral time travel, having taken fascinating journeys back to ancient Alexandria, and Solomon's Temple. After many years of adventure, exploration, and discovery on the inner planes, we feel confident that our system is as powerful and effective as any similar program in the West, or even the East -- with the added advantage of being safe, and carefully controlled.

In the accompanying temple photos you can see our large Dark Mirror suspended face-down over the center of the Magick Circle, with the appropriate symbols of the Sephira and the Path of the working displayed on the top in the nature of an altar. Astral travelers lie in a "ground-star" under the mirror, stare up at a tattwa (or other symbol) and project their spirit bodies through The Gate under the guidance of the leader. A pathworking to Yesod is dramatically depicted in our new DVD video documentary,
The Rites Of Magick
.

 

Thabion
Archimage, Ordo Templi Astartes

 


 
Text, Artwork and Photos are © C.H.S Inc., 2005, all rights reserved. For questions/comments regarding the OTA, please contact Archimage Thabion at kingsword@aol.com.