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The Archives
Focus
on Rivendell Temple’s new Stained Glass Windows.
Nosce te Ipsum
On the cover
of our latest video The
Rites Of Magick, you will see a photo of our temple's stained
glass window. The five foot by three foot depiction of the Order’s Septagram
Symbol was designed by me and rendered in stain glass by local artist
Alice Phillips of Silverado Glass; the same collaboration of talents
that produced the earlier round "Goddess Tanit" window.
Along
with this inspiring acquisition, we were fortunate to obtain the older,
and larger, stained glass window from Hollywood’s legendary Sorcerer’s
Shop. This marvelous antique work of art was transported to us from
Beverly Hills, and installed in the north wall of the adytum--as shown
in the accompanying photos. The window measures an awesome five feet
by four feet, and illuminates our Seasonal Grail and Eucharist
implements.
These stained glass windows contribute
to our Temple’s spiritual atmosphere, and will be especially appreciated
by those anchorites confined to the sacred precincts during their
three day Holy Guardian Angles retreats in preparation for Inner Order
initiation.
Our
thanks to Alice Phillips and to Lady Babbetta for helping to enrich
and beautify our Magical ashram.
Thabion
Archimage, Ordo Templi Astartes
Focus
on Pathworkings
The O.T.A.'s Pathworking System is a unique synthesis of Eastern
method and Western symbolism. In 1971 Frater Apolonius (then Fra.
Nimrod) introduced us to the method of Inner Plane projection
taught by the Sikh Sant master Kerpol Singh. Kerpol was the
original "secret master'" of Paul Twitchell who founded Eckankar.
The basic princip le behind Kerpol's guided astral journeys were
the several "attention points" that the narrator, or guide,
would describe for his students. At each of these stations a very
personal and individual symbolic, or oracular, message was received
and committed to memory. This made the mystic journeys truly worthwhile,
instructive -- and even initiatory --rites of passage. Once in possession
of this key concept, it was not difficult for me to apply the method
to the kabbalistic structure of the Tree of Life and its twenty-two
Paths leading to ten Sephiroth. My main reference in this task was
Gareth Knight's classic Practical Guide to Qabalistic Symbolism.
We
had our basic lower triad working by the Summer of 1973, and I was
using a measure of the inspiration derived to write the mystic adventure
novel Adamson's Quest - which is still running as a serial
in The Seventh Ray.
By 1980 we had made a breakthrough
in Pathworking conceptions with the design and construction of a vehicle
for accessing the Sephiroth above Tiphareth. Explorations in this
mode led to our eventual penetration of the Da'ath Gate, and
our radical new Path and Tarot contribution (see The Seventh Ray,
Book II, the "Red Ray" ).
We
have gone on with our inner plane explorations to perfect a deep
space method of astral time travel, having taken fascinating
journeys back to ancient Alexandria, and Solomon's Temple.
After many years of adventure, exploration, and discovery on the inner
planes, we feel confident that our system is as powerful and effective
as any similar program in the West, or even the East -- with the added
advantage of being safe, and carefully controlled.
In the accompanying temple
photos you can see our large Dark Mirror suspended face-down
over the center of the Magick Circle, with the appropriate symbols
of the Sephira and the Path of the working displayed
on the top in the nature of an altar. Astral travelers lie in a "ground-star"
under the mirror, stare up at a tattwa (or other symbol) and
project their spirit bodies through The Gate under the guidance
of the leader. A pathworking to Yesod is dramatically depicted in
our new DVD video documentary,
The Rites Of Magick.
Thabion
Archimage, Ordo Templi Astartes
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